Reflections

Springtime Of Our Lockdown

Britain, climate, conservation, Coronavirus, counter-culture, Covid-19, crisis, death, earth, environment, fate, free will, future, Hinduism, human mind, Liberalism, Life, Lifestyle, meditations, natural world, nature, neglect, pandemic, People, philosophy, Planet Earth, Political Culture, Politics, Reflections, thoughts

While we wither indoors, out there something profound is happening. Nature is back with a bloom. Can anyone remember it being so resplendent? So full of seasonal promise?

I’m asking myself how an annual event can seem to take on another dimension. Yet spring is springing with a wicked spring in its tail. Animals have returned to wander down paths long blocked to them. Goats window shopping in abandoned Welsh seaside towns; boars doing the passeggiata down silent streets in Bergamo; dolphins nosing around now crystal-clear canals in Venice in the absence of gondoliers sticking their bloody oars in everywhere. Hell! Even the tender shoots of first budding look that bit more sharp-suited, greener than usual. The sky, not so anaemic. The signs, far from being ominous to any life form other than us, are encouraging. If this is what the world’s end looks like, I’m signing up to it. The whole thing is beginning to feel like a massive teleological event: a reckoning that pits us against each other, and ourselves. What did Churchill once say? “Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.”

Can it be that Humanity pulls off a civilisational coup, foreclosing on the disastrous Age of Kali (see William Dalrymple’s 1998 travelogue for explanation, or else anyone of eight hundred million Hindus) for a gentler, more enlightened epoch? Could the pandemic be the hidden catalyst for it? Probably not, but the thought is a fitting one given the wonder show that nature puts on while we succumb to fear of personal extinction in our homes under the curfew of self-isolation. While a wholesale regeneration of purity in nature at the expense of human resource rape-&-pillage might be a bit much to hope for, certainly the lockdown can generate a paradigm shift in how people work, and in how we spend our few precious days on this Earth.

Yesterday I stopped by a glade of glistening wild garlic by the roadside. Ordinarily, cars would be humming past with such regularity that no one in their right mind would have pulled over on their bicycles to pick a bunch of nature’s own – a little crop of green goodness that went into the making of wild garlic pesto. In the absence of pandemic, would i have so much as done this? No. Am I better for having done so? Categorically, yes.

This reckoning, by which one refers to a near cessation of frenzied (and highly destructive) activity, which has come to characterise the Human Project over the past forty years, enables a beleaguered and frankly overwhelmed world a chance to hit reset. That great ferris wheel of civilisation that turns ever faster, drawing in and spitting out hapless human victims all the time, has ground to a halt for (shall we say) a spot of maintenance. While it lays motionless, finally we get the chance to stop being mesmerised by its whirring circulation, and start taking in the 360 degree view that was perilously neglected all the while.

Now is the springtime of our being (unless you live in the southern hemisphere in which case you’re on for a revolutionary autumn). Those who are in the gutter looking up at stars over cities that are not only shining but coruscating for the first time in the modern age, will they necessarily want a straight return to an orange-sodium sky above their heads, planes roaring overhead? Those realising that the job they are doing from home unexpectedly through lockdown can be done from home post-lockdown, will they desire an immediate return to crammed commuter lines full of sleepy, barely-approachable worker drones? All of us who may take our one hour of daily exercise (which in reality morphs into about four as the conditions are so favourable, and as time has taken on a more elastic property), we who can stroll down lanes untrammelled by the impatient thud of footsteps, do we want necessarily to cash in the quietude for a ride on the capitalist wheel of fortune again?

The spectre of death clears the field. If there were ever a moment to stop and smell the roses, it is now. If there were ever a moment to ask ourselves: what do each of us want from this fleeting life, and what are we prepared to leave behind when the fire goes out? Now is the time. A gift has been offered to us in the form of mass global quarantining. From this renewal nature may stand a fighting chance while for our part we may gain absolution from mass collective sin. Now I don’t quite know what kind of force is behind these weird developments, but whatever orchestrated them is giving Humanity an open window for opportunity to refashion ourselves into a life force that goes with the seasons, instead of one that signifies such damage and ecological destruction that the seasons themselves cease to be what they were. That window will all but certainly blow shut with the first shunt of summer wind against the pane. While we’re all locked down, let’s make room for the other tenants that call Earth their home, too. When the time comes to fling open our doors again, let goodness flow out and everywhere.

Hey Bulldog!

Beatles, Buddhism, death, fate, free will, future, Life, meditations, Musings, natural world, nature, Oddities, philosophy, predator, Reflections, Solipsism, thoughts

These are the days of our lives. Whether we like it or not, the clock is ticking. The long hour upon the stage will, of a fashion, one day be heard no more. So, let the tale told, ideally, not be by an idiot espousing sound and fury. Let it be told well, full of twists and turns, laughs and loves, random acts of kindness, adventures and heart-fluttering moments that lend themselves to the proud declaration: I was there.

I was recently watching colour footage of the Beatles in the studio, circa 1968, recording Hey Bulldog!. A song destined for obscurity, for me it was a much underrated number. According to Lennon, Hey Bulldog! was a nice tune that meant nothing. However, it wasn’t the melodies that stood out, nor McCartney’s catchy bass line. Rather, it was how the four lads from Liverpool – how the Beatles as a living organism – had undergone a profound physical and mental transformation in such a short space of time since they burst onto the scene in ’63. In the annals of rock music, who else aged and evolved so rapidly in relatively few years? To watch the Beatles do their seven years together was to observe a lifespan in time-lapse photography. Not only did the hair grow and the faces harden, the voices deepened and the subject matter took on ever more gravity. Theirs was an accelerated existence full of very little wasted time, a sort of Haiku poetry in motion.

Some creatures, like giant tortoises, slow down their metabolism to reach the age of Methuselah. He crawls, unchanged, through the centuries. Others, like dormice, speed up their heartbeats to live a James Dean life: short and intense. Mayflies explode onto the scene only to drop dead in the Danube before their first Earth day is out. In the human realm, things are similar. Picasso painted for over seventy years, ten times longer than the Beatles jammed. No slouch, over decades he painted thousands of canvases, admittedly. Some brush work he performed with a swish of urgency, but overall Picasso’s life mirrored the tortoise. He went for longevity, enjoying his life’s true calling all along the way. Physically, Picasso didn’t really alter appearance over time. He started small, tanned, dark-haired and Spanish-eyed, and he ended small, even more tanned, no-haired and Spanish-eyed. The Beatles, contrastingly, seemed to physically and creatively morph so fast, you could almost watch them grow up and apart. Lennon was the epitome of this. From young scallywag to long-haired gnostic, Lennon’s ageing was catalysed by a public domain obsessed with him. Like Mr Benn (for those of you old enough to remember the children’s TV show of the early 1970s) he changed his appearance in no time. As Lennon set about to change the world, the world changed him. And everyone could see him carrying carrying the weight of the world, plain as day (citation: boy, you’re gonna carry that weight, from Abbey Road.)

I employed the Beatles as an analogy to underscore the importance of using the time each of us have to reinvent ourselves: to morph; to never sit on our laurels. Your average human life is more four score and seven years than the squeeze of seven years the Beatles had to shake the world. That said, because we have no idea how long we have to live, these numbers melt away. The Beatles had seven years, but what they did in that time was the musical equivalent of the seventy years afforded Picasso. From I Want to Hold Your Hand to Eleanor Rigby in a mere three years? The difference in maturity might as well amount to forty.

I speak to so many people convinced that because life is long they can afford to sit out the game for long spells. In absentia, years vanish and little substantive gets done. A fearfulness sets in, front doors slam shut, possessions mount up, families fuse together before they sometimes shatter, leaving our clever model of market economics to dig its hooks in until ‘financial commitments’ make it all but impossible to break the chains that bind you to an immovable object that remains out of sight. Folks get stuck in a rut they can’t physically see, and their only consolation is that, ‘oh well, at least I’ve got years ahead of me to change things’.

If only we knew that the game was up much earlier than we originally thought might we take affirmative action to be the change we saw in ourselves. Maybe the Beatles knew deep down they didn’t have long (compared with their musical contemporaries) and that was the catalyst for them to live like no tomorrow (for Tomorrow Never Knows) : to pupate, to reinvent, to transmogrify, to create then recreate, and then some more. You don’t have to have penned Strawberry Fields Forever to view life as a series of peaks and troughs: of pinnacles that only the ingenious few can reach and rifts that the rest of us wallow in. If I had the power to tell another they had one more year instead of forty to thrive, what then? If others had the divine prophecy to forewarn me that my innings was a lot shorter than I otherwise thought, what then would I do to affect change? How would i fill the empty pages in this blank book of life?

(Footnote: I was moved to write this as I pondered the meaning of why the female mallard I’ve been feeding from the boat for the past three months was inexplicably taken from us (and from her drake boyfriend, in a meaningful sense) by an ambush predator, a giant pike probably. She was seen being dragged under not three weeks before she would have presented hatchlings to the Spring. What is this that the life of an animal can end so abruptly, her genetic destiny to reproduce be so cruelly thwarted, by a big nasty bottom-feeding fish, off all things? How arbitrary! How absurd! How sad! Her boyfriend was quacking like a mad thing in distress. And five days on, I still give her a thought.)

Life Signs Vital

#adventure, Australia, Britain, British Isles, Buddhism, fate, free will, Hinduism, human mind, Life, Lifestyle, meditations, Musings, nature, Oddities, philosophy, predestination, Queensland, Reflections, roadtrip, serendipity, Solipsism, Spirituality, thoughts, Travel

From the wandering star followed to Bethlehem by the Magi, to Constantine and his Latin cross in the night skies over Rome’s Milvian Bridge, for as long as any historic text can remember, humans have acted not (as they might like to imagine) independently in matters of life choice, but as a response to phenomena out there in the world. Whether these phenomena involve snapped branches pointing in a particular direction out of the tangled forest, serendipitous meetings with mysterious strangers, or even constellations that speak directly to the individual in us by spelling out our mission in dot writing, natural events have proved unshakeably reliable as SIGNS ripe for following. Other animals follow their hunger and their paternal instinct toward the rains, or the seasons, or the ocean currents. But not us. Oh no, not humanity. We follow abstract signage in the most unlikely of quarters because something in the form and motion of a sign tells us that nature exists to furnish us with little messages put there FYI only.

But in an age of scientific materialism, should we listen to superstitious signs, or let mediums self-appointed with the power to interpret that symbolic value for us. The Gypsy lady? She who lets the tea leaves/coffee granules to settle into a discernible form spelling out (in her own inexplicable way) what’s in store for each of us? She with the singular ability to divine the past, present and future, and thus able to cut a path through our impenetrable present? Hooped earrings and colourful headscarves aside, should we even listen to ourselves when something out of the blue tells us which corner to turn in life? What is it in the nature of choice, the one true act of free will we convince ourselves is ours and ours to fuck up? Are we slaves to signs, subconsciously letting them lead us on into what we think will end either in good life choices or, horror of horrors, outcomes less than desirable? Do other members of our rapidly-proliferating species see signs with quite the obsessive sensing that I seem to? Questions, questions, questions, and only vague signs there to answer them.

I wrote a woefully-neglected book back in 2007 called Signs of Capricorn. Essentially, it was a free-thinking, free-spirited, faintly philosophical travelogue based on a long-awaited return to Australia. I had left the land Down Under in 2003, instantly regretting a choice which i deemed purely my own, without any other agency. At the time, I must have figured if i return to Britain things will be different. I’ll finally, after thirty years of trying and failing, fall in love with the island of my birth, and especially those two peculiarly British contributions to the world: a stubborn class system and a maritime climate that makes the headlines most days for all the wrong reasons. Yes, my family were instrumental in my going back. Unlike the weather, they weren’t changeable and horrid. But, like the English class system, they could be stubborn.

So, in the wake on my grand homecoming in 2003, I realised I had made a major life error, and instantly vowed to overturn this disastrous decision by going back to Sydney the following year. However, as the venerable Lennon said, life’s what happens when you’re busy making other plans. Suffice it to say, it wasn’t until 2006 that my pledge was finally realised. I departed a rainy Manchester, arriving after a brief stopover in Dubai, in to a hot Sydney. The city had changed in the intervening three years. That much i could detect within moments. It didn’t feel the same. Well, of course. Why would it? And here is where the book comes into play. I threw my hat up into the air and let the winds of fate carry it aloft. And so it was that I chose to spend a month driving as far and wide as I could in search of signs.

A critical factor in all this unfolding story is that I was misinformed that my Australian Permanent Residency visa would be duly reauthorised merely by going back there on holiday. Cruelly, this was not how how the immigration system worked. Nor was this how things were meant to be. On hearing that I had not amassed sufficient residential time in Australia within a 5-year period (i was a month short), I was faced with a binary choice: by all means, stay indefinitely (thus leaving my rental home, family and beloved dog back in Yorkshire where my family call home) in the Commonwealth of Australia; or fly out of Kingsford-Smith Airport and back to Heathrow, but do so knowing the consequences. That being an annulment of my right to remain in Australia. Visa cancelled. The term Burn Bridges springs to mind (another historical instance of how signs influences the course of a lifespan, in this case of Caesar’s Roman Empire). Mainly because of my dog, I knew I was going back, like it or not. With a month’s adventure ahead, I drove north through Queensland’s Sandstone Belt and out to the Barrier Reef. Along the way, I followed roadsigns down highways where life signs clung on like the spinifex grasses that give the Outback its patchy head of hair.

On returning to Britain, I nursed a quiet devastation. My first encounter – the first of many troubling signs, you might conclude – was with my neighbour, an awful human specimen who spent his disempowered life fulminating in one garden-wall dispute after another. In Old England, where most people are packed like sardines in a tin can because the entitled few own and jealously guard huge swathes of the land, such disputes and tensions are not uncommon. Knowing that I had made not one but two cardinal misjudgements in leaving Australia (an island-continent I had reimagined as being above such petty squabbles between neighbours) not once but twice. I knew the recurrence of this poor choice must signify something. It must be life’s ineluctable way of telling me I had, in fact, made the right choice leaving Sydney. Struggling to understand why, I wrote the book as a therapy, as a means of retracing my steps in order to discover the origins of these signs, and what they could possibly mean for my life, one that seemed to be in disarray.

You can generate the data to fit the theory, but that is not true science. Or you can map the data (as it appeared along the road to the Barrier Reef on that epic trip of self-discovery), building a picture through which a workable theory emerges. First data, then theory, then test of theory. Burning rubber on blacktop, I probed the island-continent to probe the answer to why life had turned out this way. For such a dry landmass, the results were improbably fertile. Hadn’t one of the great Greeks said something to the tune of….’life is played out on an ocean of timespace, whose currents carry us of their choosing unless we find it within ourselves to take the tiller and steer a course, even though the current will still take us, ultimately, where it chooses. In short, we can infer signs in life and so effect small but significant changes in our lives, even if the grander designs, such as fate, love, accident and death are not within our remit to shape as we would see fit to?

(n.b. of course, most of us would choose to be rich, healthy and loved, and never to die).

At journey’s end, I flew back. The immigration officer at Sydney’s airport peered at the visa page of my passport and asked me if I was sure I wanted to do this. You realise that if you leave you cannot come back? Helpless, unsure if I had even found a green light on those outback roads, I timidly acknowledged the gravity of what she was saying. Somewhat bemused, she stamped the exit visa and that was that. Another chapter closed. Except it wasn’t. Once back in England, I threw myself into the writing. Stapling together every little back-dated detail on what had been a diverse but disconnected life of travelling, of living in disparate regions of the world following love over career, the unpredictable over the predictable, I tried but could not discern signs that would lead me out of this mess of my own making.

I looked around. I looked inside. I could not make sense of life’s highway code. At the end of the book, life appeared to recover. Things were looking up. England didn’t seem quite so dismal, nor quite so synonymous with personal failure and utter alienation. And then the possibility dawned on me that therapising the experience of making life-changing choices had had the inadvertent upshot of detoxifying – for want of a better word – Australia from my bloodstream of consciousness. The book flopped but thanks to reclusive and intensely introspective nature of remaking memories in narrative form (a year locked away in a room), I steered a course through cold turkey. What emerged was acceptance that i had taken a wrong turn. Moreover, that ages hence I might actually find that leaving Australia when i did was not a misreading of signs at all. Rather, it was a correct reading of the sign to leave when I did and to return three years later to make peace with the war that was raging inside for all that time. It was not unlike the signs of Outback roads themselves – the ones that appear only once, at the beginning of the backroad, and where no signposts will appear again for many, many kilometres. Following a sign laid down years before gave to no signs whatsoever until the next one appeared. The next one would appear near the end of that stretch of bitumen. It stood as proof positive that the next junction led somewhere good, somewhere new.

Signs are everywhere to be followed, and yet nowhere to be seen. We convince ourselves we take decisions independent of influence, particularly from abstractions such as physical objects (stars), chance encounters (accidents that change our lives irrevocably), epiphanies birthed from freak occurrences (a spiritual awakening on the road to Kathmandu), and the likes. But our rational minds are steeped in the mythology of the inexplicable. Knowing that every weighty little decision rests solely on our steepled shoulders, or that each one is not interrelated, represents an unbearable burden on our lives. Decisions are ours to make? Oh yeah? That I followed invisible signs to where I am now (which is no bad place) suggests some things are meant to be. That all things might, just maybe, be more bound together than our Western social constructs would have us believe.