Month: Apr 2020

(Nothing but) Flowers

apocalypse, botany, conservation, Coronavirus, Covid-19, crisis, development, earth, environment, ethics, forest, future, futurology, giant trees, Hippies, history, human development, Imagination, joni mitchell, Life, Lifestyle, lyrics, meditations, Music, Musings, natural philosophy, natural world, nature, pandemic, paradise found, paradise lost, People, Planet Earth, Political Culture, pop music, redwoods, Reflections, Society, talking heads, teleology, thoughts, trees, verse, Virus

Does art imitate life, or life art?

In days of Covid-19, when the sight of Piccadilly Circus derelict at 3pm could easily be mistaken for 3am midsummer in Murmansk with the sun already up (or more’s the point, having never actually gone down, situated as it is above the Arctic Circle), you know the face of the planet is a strange and beautiful – if deeply troubled – place in need of accounting for. To do that, what better way than to trove through the annals of music to find lyrics that somehow chime with our topsy-turvy vision of Twenty-Twenty.  

How pop music anticipated the short upside of the long lockdown.

Two classic numbers spring to mind as expressions of a world both blighted by the giant bovver boot of human success, and lifted from the dark shadow of its crushing conquest. To know them, we first need to know their context (both allude strongly to making/unmaking the world in our own human image) plus the order in which they arrived on the scene. 

The first song imagines paradise lost to human development and is really an ironic take on how when somewhere magical is discovered by the few it is soon descended upon by the many until that magic melts away before the axe, the pick, the shovel and the steamroller. Let’s face up, before the current pandemic, paradise was being lost at a rate of knots. Virgin lands were being deflowered faster than their chastity could stand. But this trend had a precedent. This was all laid out with depressing familiarity in the imagery conjured up in Joni Mitchell’s 1970 masterpiece, Big Yellow Taxi. She saw the tide changing even back then. Joni must’ve read Rachel Carson’s 1962 groundbreaker, Silent Spring. She, among the enlightened few, flocked to Laurel Canyon, in the hills outside L.A., when it was relatively untouched. By 1970 her lyrics were prescient enough to foreshadow an era when the faraway magic tree was starting to get laden with nest builders. In short, when the visionary few woke up to us killing the goose that laid the golden egg. 

She sings,

Don’t it always seem to go
That you don’t know what you’ve got
‘Til it’s gone
They paved paradise
Put up a parking lot.

This was 1970. By then California’s redwoods had taken about as much pummelling as they could without going extinct in their native habitat. Federal protection would soon ensue to safeguard the remaining 5% of coastal redwoods left in the wild. Things were by no means great, ecologically-speaking. But the world contained far fewer people than today, and far more biodiversity in still unchecked corners of the globe. Joni saw the writing on the wall. For her, it was going to be ugly, but not without the delicious tang of irony.

They took all the trees
Put them in a tree museum
And they charged all the people
A dollar and a half to see ’em.

The rapid human (& by extension commercial) development of Southern California, and in particular Laurel Canyon, was cause for concern, even then. It was in every sense yet another paradise in the process of being lost. You didn’t have to go back to Milton in the 1600’s to realise this. Nor even to the loss of Eden in the Old Testament. In fact, it was happening all around her and her hippie acolytes. So much so that she saw fit to pen the words to one of the great songs of popular music.

Hey, farmer, farmer
Put away the DDT now
Give me spots on my apples
But leave me the birds and the bees.

The birds needed their trees, but the trees were being shipped to the museum. And the bees needed the flowers to pollinate, but the flowers were sprayed with deadly insecticide. And so, the modern narrative was written. The context was nature’s loss for human gain, albeit temporary. The story of us was bittersweet. Our rampaging success came at a cost to everything that was hitherto worth living for. The garden of Eden was once again imperilled, and didn’t Joni express it every bit as well as a biblical prophet.

The second classic number from 1988, Talking Heads’ (Nothing but) Flowers, also laments loss – yes, those buckled blades of grass under the giant bovver boot of human progress that Joni decries – but this time in a different way. Human development for Joni amounted to stealing the pristine from under her nose as Laurel Canyon fills up with infrastructure that follows in the wake of other dream-seekers like herself. Where she accuses her fellow pioneers of stripping away at the fabric of pure nature in their onrush to exist in a state untouched by civilisation (in other words, by radical actions involving having to degrade nature so they could live it, which defeats the whole point of conservation), (Nothing But) Flowers laments the loss of what we brought to the world by changing it from natural to synthetic. The lyrics deliver a shot from the bows that, contrary to the selfish act of taking from nature to become more natural, mother nature (triggered by events untold in the Talking Heads song) has now reclaimed all things natural from her wayward child. His message is clear: we didn’t gain anything in losing our hold on the world. Roads without cars might well feel like a pleasant dream when cars on roads are all that is. But when all the cars are gone and the road is uprooted? Is that not just as lamentable as a world sans les animaux? Beware what you wish for is a sentiment that rattles through each verse.  

From the age of the dinosaurs
Cars have run on gasoline
Where, where have they gone?
Now, it’s nothing but flowers.

Whereas Joni’s brand new parking lot paved paradise, Talking Heads’ frontman David Byrne sings,

Once there were parking lots
Now it’s a peaceful oasis.

His parking lot has become overgrown in the absence of cars by the creeping dominion of natural regrowth. We have, in essence, gone full circle. However, this oasis is not all it is cracked up to be. Byrne soon tires of this state of nature, dreaming instead of,

 …cherry pies,
Candy bars, and chocolate chip cookies.  

One would be forgiven for thinking that where

…There was a factory
Now there are mountains and rivers…

can only be good. But no. Byrne proves to be no such primitivist. He wants his Dairy Queen, Honky Tonk and 7-Eleven back. Joni saw real estate supplanting the wild fields and trees, a town sprung up where once there were flowers. Byrne envisions the opposite.

This used to be real estate
Now it’s only fields and trees
Where, where is the town?
Now, it’s nothing but flowers.

Disabusing us of this idyllic state of post-civilisation, catching rattlesnakes for dinner is not a tempting prospect once civilisation has collapsed. In a nod to the 17th century English philosopher, Thomas Hobbes, David Byrne sees savagery as the state of nature. Thus, sovereignty has to be restored lest we descend into the the very thing we’ve tried to get way from throughout our painful history. For Joni Mitchell, the romanticism is straight out of a Gaugin painting of Tahitian women. Noble savagery, all swished with colour. For David Byrne, this post-apocalyptic bloom might as well be algal. For Joni, the optimal state of existence is what you might term prelapsarian, that is to say, straight from the Garden of Eden before the flood. Humans are the harbingers of apocalypse for her. Everything they do to commodify their world ends up being worse than the purity of what it replaced.

As Byrne sings toward the end verses:

We used to microwave
Now we just eat nuts and berries.

Don’t leave me stranded here
I can’t get used to this lifestyle

Both these splendid tunes are musical museum pieces for good reason. You or I couldn’t sit down and write them in an afternoon. But in spite of their substantive differences, both numbers are really just two sides of the same coin. Both deal with before and after. Both lament loss. Both pivot around this idea of the aftermath of a profound transition felt by everyone. In this regard, one can thread them to the current state of lockdown being experienced around the world. As has become all too apparent that everyone is feeling a different vibe to the recent halting of practically all human activity in the face of a deadly virus, we may well ask: is it time for a prequel to these songs? This time, in lieu of loss, the unnamed songwriter can wax lyrical about how we unpaved paradise, took down a parking lot. Of how we took all the museums, put them in a massive tree. Or, this was going to be real estate, but it was decided the best buildings are trees. Or, please leave me stranded here, I could get used to this lockdown. 

Leave something for the birds and the bees. Leave something for us and those of us to come.

 

 

 

 

 

Flying Over Planet Lockdown on a Magic Carpet Ride

adventure, agriculture, Cities, climate, conservation, Coronavirus, counter-culture, developing world, environment, ethics, EU, future, futurology, Imagination, Life, Lifestyle, natural philosophy, natural world, philosophy, Reflections, revolution, Society, Socioeconomics, thoughts, Travel

It’s 2030. Imagine you could select anything from home to power your low-level flight around the planet. It wouldn’t be the stressed planet we have come to know. It would still be a human planet, but one rather unashamedly changed from the one you knew and despaired of back in 2020.

The overhyped pandemic of 2020, the one that had the world all in a panic to the point where it effectively closed human activity down, produced unexpected outcomes. No one quite knew it at the time, but the quarantining of humanity inadvertently gave breathing space to all terrestrial life that had been trampled in the poisoned dirt since the mid-20th century. Gone were the crisscross scars of vapour trails from planes all across the sky. Gone too were the ‘conjunctivitis domes’ that enclosed all but a few cities and towns in hazy, acrid pollution. More than anything, gone was the constant background noise of society consuming itself into an early grave. At first, even the most misanthropic kept tight-lipped about how the lockdown was having anything but a deleterious effect on them. They wanted to tell everyone about how delirious with happiness they were, that they were reconnecting with the world around, how the spring had never seemed so polarised with deep colours, and how the silence of everywhere had led to a great sonic peace across the entire sky. While patients with Coronavirus were gasping for their last breath, the guilty enjoyment of the majority who bore no symptoms seemed unutterable. But as the lockdown went on, more and more started to admit there was an upside to the downside of putting industrial society on ice for a while. While they cited different reasons for secretly enjoying the mass meditation retreat that the world had become, a common theme began to emerge. The average Joe and Joanne hadn’t been happy for a long time, but it was only through the Covid lockdown that it struck them exactly why.

I would select my cherished silk-on-silk rug from Kashmir as my means of transport, the one I bought for a princely sum from Kashmiris in a bazaar in old Kathmandu. The colour is light green with pink woven into the borders. When you brush your hand across it, the sweep turns it darker or lighter, not unlike suede. The pattern is distinctive: 32 geometric panels depicting the Islamic Garden of Paradise, including pomegranate trees, arbours, plant pots and rambling rose. Tradition tells that this is a design from the revered Iranian town of Qom, from where the finest silk rugs and carpets on Earth are spun by weavers with magic fingers. Hence, magic carpets. If not that precious (and surprisingly tough) silk rug, I have another I’d consider riding on over a changed world in 2021. This one is an Islamic prayer rug (although I do not profess to be a man of any faith, other than faith in myself). I bought it from a reliable dealer in the Emirates, but the thing itself was woven in Northern Afghanistan and is exceptionally beautiful. Not of silk, this short-pile rug is of the finest wool dyed with the madder root into a colour resembling the dark dried blood of many an Afghan who has spilled their veins throughout the long war. Yes, my choice of long-haul air transport would be either the Kashmir silk rug or the Afghan prayer rug. Then again, for spaciousness there’s also that large tribal kilim from Tabriz in my collection. I could spread out on that during my transcontinental flyover. I’ll need a flying jacket and goggles, as it might get chilly, breezy and bumpy riding up there on the thermals. Oh, and my Leica monocular, too, so I can peer into the lives of others, and to see how the wildlife is coming along.

The roots of popular unhappiness, more and more started to realise, were becoming evident in the pleasant results the lockdown had produced on the wider world. Where the pace of life had been pulling us at 5Gs in a centrifuge, instead of being forced outwards the lockdown had now turned the force inward, to where we were all falling forward together into an attractive centre, which I call a natural equilibrium. Where previously few had any time for anyone else, they now found themselves devoting newfound time to the human relations they once held at the fulcrum of their world. Where many were being sucked into deadly debt traps, they now saw another possibility for an economic model that extolled the simple, organic life. Where many couldn’t sleep for the din of a society that had turned into a screaming lunatic asylum, quiet lockdown nights brought quiescence to tortured minds. It also revealed what had always been there but droned out: birdsong, and other naturally-occurring sounds. Where tens of thousand of species teetered on the brink of extinction due to human unwillingness to share, humanity finally agreed that the wild places were too few and the tamed ones too many. Monoculture changed in the agri business. Farmers were now harvesting goodies from the broad-leafed forests they had let grow in the vacuum of brown fields whose soil was depleted to the point of exhaustion. Animals that had resisted extirpation by laying low during the worst of our planetary abuses, and generally driven to the edge by our selfish species, followed suit. Population policy aimed at natural reduction, allowing crops to be grown vertically in great agri-towers that ran on sunlight. Where our industrial-age fear of the dark had produced so much halogen light to power society through night after night, so the lights went off and the stars returned to twinkle over what were sulphurous megacities. Something else unexpected returned: the sun. The industrial age had whipped up a dynasty of stormy weather by seeding every cloud with effluents and contaminants into raining. Gone was the chromatic aberration caused by poor air quality. Now the portrait of the planet looked pin sharp and didn’t we know it.

A revolution in the mind happened soon after the lifting of the 2020 lockdown. People wanted it back. They may not have professed to wanting thousands dead of a pathogen, but what they did want was to mitigate the disastrous effects of the human project by blocking off one month in every year where systems ground practically to a halt; where only essential distribution services, such as food and medicine and so forth remained a mainstay priority. Of course, they were compensated financially, but this would decrease over time as we moved away from heavy borrowing and high expenditure market economics to an ecological model of sustainable productivity. So, there you are on the magic carpet, skirting over the planet.

Ten years have past since the lockdown revolution/revelation of 2020. The annual month of fallow is now enshrined in UN law. Every nation is a signatory. Even the U.S., that resisted for so long because it was a concept engineered through the myth of the American Dream to exist only by maximising capital gains in every overworked American, even they got on board. China remains the dark horse: tense on the issue because the Chinese are caught between their philosophical tradition of Taoism and their love of making money by ramping up industry to ridiculous levels. Europe, being the old man, was at the forefront of the new paradigm for living. The Continentals approved wholeheartedly of this nouvelle approach to tempering things down.

Mechanisms were put in place to ensure that the other eleven months are not abused by the rush to over-productivity, as this habit came to be scoffed at for its backward greed motive. As a burned-out race we started mellowing. Our eyes were evermore open to the great clockwork of nature and how we – contrary to the proud fools that modernity and progress had made us – had broadly accepted our fixed role as a cog in that natural machinery, and not – contrary to the arrogance of our predecessors – as its clockmaker. Delegates even took to doling out liberal sprinklings of Gandhi’s wisdom that we live simply so that we may simply live.

What do you see, future me, when you look down from way up high on that Afghan rug in the new blue sky?

The Resurrection Will Not Be Televised

Britain, British Isles, Coronavirus, Covid-19, earth, free will, future, kindness, Landscape Photography, Life, Lifestyle, natural history, natural philosophy, natural world, nature, pandemic, People, philosophy, Planet Earth, Politics, Reflections, Socioeconomics, thoughts, urban decay, Virus, Wildlife

If I’ve said it once i’ll say it again: nature is back with a stealthy, healthy whimper. While Rome burns, Gaia fiddles a melodic tune. For literary effect, to assert that nature is back with a bang! as opposed to a mere whimper might hit harder, but it would defeat the point, for it is humanity that creates big noise. Nature is as nature does, and what it does while a quarter of the planet is housebound, while international trade experiences historic levels of supply chain disruption and slumped productivity, is to go about restoring a dynamic balance with quiet purpose. As house elves set about sprucing up the house during the dead of night when all slumber, watching spring assert itself while trade, commerce, and human bustle sleeps is a spectacle worthy of praise. Question remains: when we all wake up, how soon before the house is reduced to another ransacking?

Of course, I’m not the first to notice this wondrous upturn in our fortunes. People stop by the boat and remark how they’re beginning to notice things they hadn’t before on their daily stroll through the countryside. That obsolete word wildlife is even making a comeback. They notice the sky turning from wispy blue-white on a good day a deeper shade of aqua in the absence of belching fumes. They notice the stars return to cityscapes after a lengthy absence. They stop and notice birds do their courtship thing where before they just zoomed past. In short, more and more people are diverting their attentions away from servicing the machine of unenlightened human progress and toward natural events so revered by their forebears. What’s more, they like what they see.

The turning of the seasons becomes all the more apparent when the hatches are battened down. Human sensory organs realign themselves, from toning down the din of normal working life to tuning in to the rhythms of the living planet. Now i know that stuck in a megalopolis of high rises as far as the eye can see poses a challenge to the notion that pandemic lockdown has an unexpected upside that might even outrank the pandemic itself in vitality and importance. Half the world, nevertheless, still lives within range of what could be nominally called ‘the countryside’. Those multitudes are getting out (well they certainly ain’t wasting the opportunity where i am, which I take to be fairly typical) and some are pleasantly stunned into silence by the very act of silence. Have you heard the countryside now the internal combustion engine has been locked in the garage? Nature dislikes a vacuum, as ecologists like to emphasise, so in place of the universal background drone of cars from roads never further away that a mile (in the U.K., anyway), nature has come up with this novel scheme. It’s called keep producing the sounds of spring that never completely vanished, but rather were drowned out for generations by the vandalism of urban noise. So long, Range Rover Discovery, hello skylark or coal tit.

Few are disingenuous enough to really think that all supply chain distribution has stopped, that the tens of thousands of articulated lorries that deliver the length and breadth of the land have simply given up the game in the face of Covid-19. Most are painfully aware that the lorries are still doing the business so that fools like me can continue to enjoy Sicilian wine and Chilean avocados. Having said that, those delivery runs are sure as hell quiet at the moment. Never in all my years, have I heard the sound of total silence as i have blanketing the hills of West Wiltshire these recent weeks. It’s a thing to marvel at. To know that the world would go on without us. That the world doesn’t really need us, if only to process its complex interconnected workings in our complex interconnected human minds. I’m not even convinced that if we disappeared completely, or at the very least had our numbers severely curtailed, something else wouldn’t evolve soon enough with the ability to record and document phenomena in this world.

Lockdown will come to a close. Names of thousands of mainly elderly folks, ages with my beloved parents, by then will have filled death certificates. But in spite of the appearance of a population impatient to return to exactly how things were pre-pandemic, I think you’ll find that when the doors open again many (well, those in more favourable social and geographical positions) will privately bemoan the end of a peculiar phase in history when, instead of forging ahead on this unsustainable resource-greedy path we’re doomed on, we stopped a while and listened in to the heartbeat of the Earth. It was a very agreeable heartbeat and not one plagued with our hypertensions. More than anything, the resurrection of nature didn’t feel the need to announce its homecoming with much pomp or fanfare. It thrived all serene and dignified. While all this flourishing of life was happening behind the media wall of panic, some of us were alerted by a little voice in our primitive mind that said, ‘i feel good because the world seems to be repairing itself much quicker than anyone ever imagined.’

Of course, industry will once again crank up then overheat. Humans will continue to work against natural ecology – and ultimately their own long-term survival, proving even more of an aberration than any other species. Population in the cruelly-titled Developing World will explode like the algal blooms that human industrial pollution creates. Oceanic dead zones will reappear like necrosis on human skin. But all that planetary destruction will be okay because at least scientists cracked Coronavirus. Next year at this time, dissenting voices might whisper to other dissenting voices, ‘why can’t we have a pandemic every year?’

Declaring a pandemic month each year (without the concomitant death involved) could present hitherto unthought of opportunities. This could be our very own month of Ramadan, when so much comes to a halt during the day so that one may reflect on God (or nature, given that they are one in the same).

The resurrection will not be televised.