(Nothing but) Flowers

apocalypse, botany, conservation, Coronavirus, Covid-19, crisis, development, earth, environment, ethics, forest, future, futurology, giant trees, Hippies, history, human development, Imagination, joni mitchell, Life, Lifestyle, lyrics, meditations, Music, Musings, natural philosophy, natural world, nature, pandemic, paradise found, paradise lost, People, Planet Earth, Political Culture, pop music, redwoods, Reflections, Society, talking heads, teleology, thoughts, trees, verse, Virus

Does art imitate life, or life art?

In days of Covid-19, when the sight of Piccadilly Circus derelict at 3pm could easily be mistaken for 3am midsummer in Murmansk with the sun already up (or more’s the point, having never actually gone down, situated as it is above the Arctic Circle), you know the face of the planet is a strange and beautiful – if deeply troubled – place in need of accounting for. To do that, what better way than to trove through the annals of music to find lyrics that somehow chime with our topsy-turvy vision of Twenty-Twenty.  

How pop music anticipated the short upside of the long lockdown.

Two classic numbers spring to mind as expressions of a world both blighted by the giant bovver boot of human success, and lifted from the dark shadow of its crushing conquest. To know them, we first need to know their context (both allude strongly to making/unmaking the world in our own human image) plus the order in which they arrived on the scene. 

The first song imagines paradise lost to human development and is really an ironic take on how when somewhere magical is discovered by the few it is soon descended upon by the many until that magic melts away before the axe, the pick, the shovel and the steamroller. Let’s face up, before the current pandemic, paradise was being lost at a rate of knots. Virgin lands were being deflowered faster than their chastity could stand. But this trend had a precedent. This was all laid out with depressing familiarity in the imagery conjured up in Joni Mitchell’s 1970 masterpiece, Big Yellow Taxi. She saw the tide changing even back then. Joni must’ve read Rachel Carson’s 1962 groundbreaker, Silent Spring. She, among the enlightened few, flocked to Laurel Canyon, in the hills outside L.A., when it was relatively untouched. By 1970 her lyrics were prescient enough to foreshadow an era when the faraway magic tree was starting to get laden with nest builders. In short, when the visionary few woke up to us killing the goose that laid the golden egg. 

She sings,

Don’t it always seem to go
That you don’t know what you’ve got
‘Til it’s gone
They paved paradise
Put up a parking lot.

This was 1970. By then California’s redwoods had taken about as much pummelling as they could without going extinct in their native habitat. Federal protection would soon ensue to safeguard the remaining 5% of coastal redwoods left in the wild. Things were by no means great, ecologically-speaking. But the world contained far fewer people than today, and far more biodiversity in still unchecked corners of the globe. Joni saw the writing on the wall. For her, it was going to be ugly, but not without the delicious tang of irony.

They took all the trees
Put them in a tree museum
And they charged all the people
A dollar and a half to see ’em.

The rapid human (& by extension commercial) development of Southern California, and in particular Laurel Canyon, was cause for concern, even then. It was in every sense yet another paradise in the process of being lost. You didn’t have to go back to Milton in the 1600’s to realise this. Nor even to the loss of Eden in the Old Testament. In fact, it was happening all around her and her hippie acolytes. So much so that she saw fit to pen the words to one of the great songs of popular music.

Hey, farmer, farmer
Put away the DDT now
Give me spots on my apples
But leave me the birds and the bees.

The birds needed their trees, but the trees were being shipped to the museum. And the bees needed the flowers to pollinate, but the flowers were sprayed with deadly insecticide. And so, the modern narrative was written. The context was nature’s loss for human gain, albeit temporary. The story of us was bittersweet. Our rampaging success came at a cost to everything that was hitherto worth living for. The garden of Eden was once again imperilled, and didn’t Joni express it every bit as well as a biblical prophet.

The second classic number from 1988, Talking Heads’ (Nothing but) Flowers, also laments loss – yes, those buckled blades of grass under the giant bovver boot of human progress that Joni decries – but this time in a different way. Human development for Joni amounted to stealing the pristine from under her nose as Laurel Canyon fills up with infrastructure that follows in the wake of other dream-seekers like herself. Where she accuses her fellow pioneers of stripping away at the fabric of pure nature in their onrush to exist in a state untouched by civilisation (in other words, by radical actions involving having to degrade nature so they could live it, which defeats the whole point of conservation), (Nothing But) Flowers laments the loss of what we brought to the world by changing it from natural to synthetic. The lyrics deliver a shot from the bows that, contrary to the selfish act of taking from nature to become more natural, mother nature (triggered by events untold in the Talking Heads song) has now reclaimed all things natural from her wayward child. His message is clear: we didn’t gain anything in losing our hold on the world. Roads without cars might well feel like a pleasant dream when cars on roads are all that is. But when all the cars are gone and the road is uprooted? Is that not just as lamentable as a world sans les animaux? Beware what you wish for is a sentiment that rattles through each verse.  

From the age of the dinosaurs
Cars have run on gasoline
Where, where have they gone?
Now, it’s nothing but flowers.

Whereas Joni’s brand new parking lot paved paradise, Talking Heads’ frontman David Byrne sings,

Once there were parking lots
Now it’s a peaceful oasis.

His parking lot has become overgrown in the absence of cars by the creeping dominion of natural regrowth. We have, in essence, gone full circle. However, this oasis is not all it is cracked up to be. Byrne soon tires of this state of nature, dreaming instead of,

 …cherry pies,
Candy bars, and chocolate chip cookies.  

One would be forgiven for thinking that where

…There was a factory
Now there are mountains and rivers…

can only be good. But no. Byrne proves to be no such primitivist. He wants his Dairy Queen, Honky Tonk and 7-Eleven back. Joni saw real estate supplanting the wild fields and trees, a town sprung up where once there were flowers. Byrne envisions the opposite.

This used to be real estate
Now it’s only fields and trees
Where, where is the town?
Now, it’s nothing but flowers.

Disabusing us of this idyllic state of post-civilisation, catching rattlesnakes for dinner is not a tempting prospect once civilisation has collapsed. In a nod to the 17th century English philosopher, Thomas Hobbes, David Byrne sees savagery as the state of nature. Thus, sovereignty has to be restored lest we descend into the the very thing we’ve tried to get way from throughout our painful history. For Joni Mitchell, the romanticism is straight out of a Gaugin painting of Tahitian women. Noble savagery, all swished with colour. For David Byrne, this post-apocalyptic bloom might as well be algal. For Joni, the optimal state of existence is what you might term prelapsarian, that is to say, straight from the Garden of Eden before the flood. Humans are the harbingers of apocalypse for her. Everything they do to commodify their world ends up being worse than the purity of what it replaced.

As Byrne sings toward the end verses:

We used to microwave
Now we just eat nuts and berries.

Don’t leave me stranded here
I can’t get used to this lifestyle

Both these splendid tunes are musical museum pieces for good reason. You or I couldn’t sit down and write them in an afternoon. But in spite of their substantive differences, both numbers are really just two sides of the same coin. Both deal with before and after. Both lament loss. Both pivot around this idea of the aftermath of a profound transition felt by everyone. In this regard, one can thread them to the current state of lockdown being experienced around the world. As has become all too apparent that everyone is feeling a different vibe to the recent halting of practically all human activity in the face of a deadly virus, we may well ask: is it time for a prequel to these songs? This time, in lieu of loss, the unnamed songwriter can wax lyrical about how we unpaved paradise, took down a parking lot. Of how we took all the museums, put them in a massive tree. Or, this was going to be real estate, but it was decided the best buildings are trees. Or, please leave me stranded here, I could get used to this lockdown. 

Leave something for the birds and the bees. Leave something for us and those of us to come.

 

 

 

 

 

A Bear Necessity

#adventure, America, Britain, California, forest, giant trees, human mind, Islam, Life, Lifestyle, nature, Psychology, redwoods, Reflections, trees, Uncategorized, United States

In Disney’s Jungle Book, Baloo sung that Bear Necessities were simple. But who was Baloo trying to kid, other than a clueless Mowgli? There is nothing simple, psychologically-speaking, about what a bear necessitates. When you are deep in the back country of, say, North America, what the bear necessitates in the human mind is a whole lot of panic and angst. Yet, is the anxiety that the wild things exert on the fragile human – the same human who is primordially at home and at the same time disturbingly out of place in her ancestral canopy home – confined to the prospect of coming upon an irate mother bear? Or are anxieties little knots made into strings we wear around our necks through life? The Inca people had their quipu, or talking knots, to record the particulars of their life. Equally, do postmodern humans have this string of knots in their psyche (or possibly even lodged their panic-rising breast) where something angst-inducing must reside just to remind us of our all-too humanness?

Walking through these American woods in all their dizzying expanse, I used to think that’s where the nagging feeling of anxiety permeated, and it was there that we urbanites would add another string to our quipu of worries. Streetwise and untroubled, enter the forest alone. Once there, duly adorn the knotted string around the neck. Venture ever deeper in and feel as the string pulls heavier on the neck. Watch as our quipu of worries keeps adding knots to its length with every snap of bone-dry twig. With each falling shadow forming grasping arms from tree limbs, feel our own limbs stiffen as another knot miraculously appears on the anxiety string. Stare into the multidimensional wall – for that is what the forest is when you are in it – and feel unease as is stares back at you. They say it’s the people roaming the woods you need to worry about in America, and not the black bears. And yet, fear being irrational – and that fear extends to fear of cougars, too – we don’t see it that way. We see the ancient brain kick into gear, the one that offers only binary choice: fight or flight. The subconscious gallery of wild, wicked animals, whom we used to prey on when we were not busy running from them, revolves at a pace matched only by the quickening of the human heart. But, it might not be as simple as bear panic anxiety existing only in the deepest reaches of the American woodlands. Fear of what’s in them-there woods might be a bare necessity for us in order to function out here in the societies we made from the ruins of the mesolithic world of cave bears, sabre tooth cats, and aurochs. Guns don’t kill people; people kill people. Bears don’t instil fear in the woods; fear instills fear because anxiety is what we had to nurse just to leave that wild world behind to become the worrywarts we did.

Later, I told others i was suffering a newly-diagnosed condition: bear panic anxiety. I even slept in the car out there in the woods lest i end up a snack wrapped in tent canvas. Others laughed mockingly, never stopping to think about how their own predatory instincts would dissolve in the midst of aloneness in a vast sea of trunks. When i returned to the American West the following year, i traded experience for caution. The anxiety held firm as it had the year before, as it had when i was young and terrified of the deep. And then, leaving it again to rejoin my tamed world, I realised that anxiety is a shapeshifting form within each of us that needs filling with something, anything that is, unless we happen to have trained the mind to excise those knotted worry beads from deep within our psyche into our fingertips where we may toy with them and master them. And what triggered that realisation? It was going to live on a riverboat that hammered the point home. Now, instead of feeling bear panic anxiety in America, i was growing demented from feeling boat panic anxiety. Boats and bears? Is this merely alliteration disguised as a tenuous link? Tame English canals versus American wilderness? Well, the connection is not as stretched as you might think. The boat, built long and wide and stocky for a river, was squeezed into a narrow, shallow and popular canal in a picturesque corner of olde England. For every holiday boat that inched past mine (and they were legion, depressingly so), the same set of psychological conditions i felt in the American wilderness came back to haunt me. In short, the inbuilt worry space was occupied again. The canal seemed to grow narrower and the passing boaters more intrusive. Wave after wave of prying eyes, faces moving past the portholes so close I could plant a kiss on them. For every time i raised my head above the parapet, another narrowboat would come into view. Privacy on short notice; another holidaymaker enjoying me as a caged novelty item. Anxiety filled the space the bear had hibernated in. Panic rose in the breast and i thought to myself, Here we go again. Not another one! It’s gonna hit. No way can it pass.’  How can the mind be stilled when the water on which the riverboat sits is rippling with excitement at yet another boat brushing millimetres by?

Bear and boats, Inca knots recording the state of our psychology, and of course worry beads. I know now why Muslims the world over run the beads between their thumb and forefinger. While the rest of us internalise ours, those carefree Muslims have externalised theirs. They’ve taken each knot of anxiety and locked it in an onyx bead where these worries can be controlled in those all-conquering fingers. The bear might thankfully still live in the woods where it belongs. The boats still squeeze between the shrinking width of the canals. And you? Where does your anxiety live? Or have you managed banish the knots into your fingers where they don’t loom so large?

 

 

 

On the Redwood Trail

ancient life, botany, California, Documentary Photography, earth, Eighth Wonder of the World, forest, giant trees, Landscape Photography, natural history, nature, Photography, Professional Photography, redwoods, San Francisco, Travel, Travel Photography, trees, Trekking, Uncategorized, United States, Wildlife

Stout Grove, Jedediah Smith State Park

There’s something about coming from a small island whose primordial forest – more traditionally known as the ‘wildwood’ – is recalled nowadays in history books, folklore, and wherever you see a pub named The Green Man. The forest that once covered practically all the Isles might be long gone, yet it lives on for some of us within our very selves. If you are painted wood green on the inside but on the outside see only postmodern shades of grey, you’ll know.

Everywhere fields of green grass, nibbled to the stubs by livestock. Dry stone walls, hedges and sleepy villages. Trunk roads and roundabouts, all converging on town after town, some charming and others in dire need of. In my reckoning, that just about characterizes wilderness-shy Britain. But none of this urban, agricultural planning can deny our hearts, hearts overgrown with thick foliage enmeshing the ventricles. Before neolithic farmers penetrated deep with their axeheads, there was once an impenetrable forest of oak and elm, of rowan and pine. You could argue it was in the ancient wildwood where the creation mythology of our now pastoral land was born. Looking on these trimmed enclosures today I’m hallucinating forest stretching away. Missing from a body it should be attached to, Britain and its absent forest is comparable to scratching an amputated leg. Or rather, it’s the ghost of the old green man I’m seeing. Picture modern humans disappearing – the crunch following the big bang – and it won’t take many seasons before a wilderness of trees will again claim its ancient realm. Bear dens in Piccadilly. Wolves stalking prey where Old Trafford used to be. There is a certain cruel romance in our eventual demise.

Family surrounded by three giants

Redwoods

While the wait goes on, while twenty-first century human development, having long ago taken the cream of the landscape, can only take the crumbs of what’s left, turning floodplains into bland, uninsurable housing estates, the forest empire will have to remain no more than a seed of a thought. Which is not to say, we islanders cannot fly off to taste a bit of that wild-wooded wilderness elsewhere in the world where someone had the good grace to conserve a swathe of it. My attitude is no matter how hard we try to exterminate what was once intimate, we’ll be gone before it’s gone. Ipso facto, see it before you die.

The dull thud of the axe and the bloody screech of the saw might be heard now more than ever worldwide, but that is not to say that the loser now will not later to win and that the forests will have the final, rustling laugh. I reaffirm. So go on, ye mighty and despair! Keep bulldozing Indonesia’s tropical hardwoods for a quick buck in your greasy palm oil hand. Keep on colluding with corrupt government officials to slash and burn your way into a little Amazonian homestead in exchange for votes. Keep eking away at the fringes, bringing home the charcoal that kindles an exploding African population. Keep on keeping on, because environmental bitching is not the ultimate goal of this long read. No. The aim is to describe an experience in a very magical realm of nature not many Europeans ever see. So I invite you to persevere.
When it comes to trees, but not any old trees, to epic trees, I reckon if you’re going to see them as they were, as they will be until the end of time, you need to hit the Redwood Trail. That means heading north from San Francisco, hugging the foggy Pacific coast as you venture into a magical realm.

Sandwiched, Jedediah Smith State Park

To preface: the coastal Redwoods, Sequoia Sempervirens, are some of the biggest and oldest living things on the Earth. Aside from their fatter cousins, the sequoias of California’s central Sierra Nevada mountains, they are. Before the American West was opened up to the gold-rushing ’49ers followed by wagon trains bringing the whites with their inveterate ways, there were millions upon millions of giant redwoods in what is now northern California. Liking the moisture from the perennial fog, the coastal redwoods grew pretty much from the north Pacific coastline to ridges many miles inland in a line unbroken for hundred of miles north to south. Scattered tribes such as the Yurok and Sinkyone, lacking either hard tools or malevolent willpower to chop chop chop, had lived ‘in timeless harmony’ (a phrase that guilt-ridden white revisionists like myself like to trot out) amid the giants. The first white settlers to San Francisco, most of whom came from the east where trees were smaller, must have gazed disbelievingly at groves of these conifers that could grow so high and so wide. By the mid-19th century California had been wrested from Hispanic rule by Americans of north European descent who sensed there was gold in them hills. With that entrepreneurial mindset, compounded by the belief in God’s providence – that natural resources were both divinely given and limitless – it wasn’t long before the lumber barons followed. Where they prospered the forests grew poorer in number day by day. The biggest and the best were the first to fall. The axe then the crosscut saw picked off the giants of the giants. Creaking as they fell one after the next, by the tail end of the 19th century an epoch in natural history was coming to end with silent screams and tremendous thuds onto forest floor.

young girl backs into a giant, Stout Grove, Jedediah Smith State Park

These living sentinels, there to watch through the ages, stood no chance against the demands of capital and where time had stood still in the 250 million years since they evolved in the primordial forests of the mesozoic, a little thing called progress soon shunted along a real possibility of their extinction from forests.

By the dawn of the 20th century a crisis had ensued. Tough times call for great men, and one duly emerged all the way first from Dunbar, Scotland, via Missouri. His name was John Muir and thanks to his monumental efforts and those of the Sierra Club of conservationists the 5% of giant redwoods remaining today might well have been 0%.

I saw my first redwood off Highway 199 coming in from Gasquet, a settlement on the northern frontiers of California where it touches southern Oregon. Seeing a road that might lead to camp, I turned off Redwood Highway and into deep forest a few miles beyond the town. The South Fork Road led over a bridge and past the turning that led to some of the biggest remaining stands of redwood anywhere. The road wend its way ever further into thick forest, away from any trappings of civilisation. Following a tributary of the Smith River the road had to perform switchback after switchback to keep with the sinews of the river. The hills were high and cloaked with firs. The sky was bruised, of a intense blue you only really see in northern California. Sundown was coming.

There it was, roadside. I slowed to a stop. The tree was of a stout base that flattened the earth like a giant elephant’s foot. It was unlike any growing nearby. The trunk was rust red and the furrows deep and shadowed into bark that I later felt to be soft and none too reluctant to offer up a slither of its thick epidermis to the exotic bark trophy hunter. The bark itself was of a rare quality as trees go, cracking as the inner tree fought to expand. In places the trunk oozed deep russet tannins. If I didn’t know any better, I could have sworn blood was trickling down a woolly mammoth’s gargantuan leg.

Relative Sizes, Jedediah Smith State Park

At a beautiful place called the Big Flat, a campground so remote as to be fifteen miles from the highway on neglected backroads that went from smooth blacktop to grainy hardcourt and eventually to dirt, I made camp. Unable to shake the image of that one solitary redwood on the road down I doubled back, judging there still to be time in the day. Back close to the Redwood Highway, I took the rear entrance into Jedediah Smith State Park, where some of the most impressive redwoods still call a grove a home (often and elsewhere they cut lonely figures surrounded by little conifer companions). There I parked. Everyone had gone home. Along what was probably once a timber truck road, I walked, craning my neck ever up. Being human had never felt less remarkable. Now the close of day, twilight filled the spaces between redwood after redwood after redwood, each varying in size, from gigantic to galactic. To my surprise, being two-hundred feet and shallow rooted didn’t prevent them thriving on steep hillsides. It was intuitive to think that the loftier a thing rises the deeper it send its roots. Yet, everything about these ancient evergreens ran counter-intuitive. Nothing ought to be that tall nor nothing that old. Nothing that tall should grow on a gradient. As for their roots The reason redwoods reached for the sky was, I read, because the morning fog is where they tapped the moisture needed to grow the flaky bark that insulates them so well against the ravages of fire (fire which they periodically need to reproduce). They knew not to find the millions of tonnes of water needed for their capillaries in the soil, soil which was often parched and nutrient-depleted. So the root system grew shallow and outward, coiling above and below ground around whatever happened to be there.

kids strolling amid the tall trees, JS State Park

Instantly, it became clear that what I was seeing was wondrous. A man regresses to boyhood when his eyes behold a thing of wonder. He asks how something can be, just as he did ad nauseam to himself and his puzzled parents when he was five-years old. With full moons for eyeballs he asks the tree how it came to be like nothing else he’s ever seen. He knows his kind built towers larger than nature constructed trees. Still, on this road to Stout Grove, with nothing but silent giants for company, he dismisses the mile-high towers because engineering can explain them. Much as they strive to fire human imagination, not the sky-piercing needle of Dubai’s Burj Khalifa nor the art deco finesse of Manhattan”s Chrysler Building can qualify as an eighth wonder of the world in the manner these mysterious objects can.

Any adult lucky to be a small boy when the Star Wars Trilogy hit the screens in the late 1970s and early 80s will remember Endor. Dizzying pursuits on hover-bikes through the forest of Endor left an indelible mark on mine and many a schoolboy’s imagination. Of course, all of it was conceived in the mind of George Lucas. It was his brainchild. Or so we presumed. For years I harboured that belief. Lucas could visualise worlds few others were privy to. Little did I know then that George Lucas was a native of California and likely familiar with the tall trees of Northern California. The realisation that Endor was nature’s brainchild and not his, that his inspiration was mine to share, was a consolation.

Kids measuring tree girth, Stout Grove, Jedediah Smith State Park

I knew there and then that evening as I glided along that timber road in a dream-like state some things were worth the effort of living for, if only to see repeatedly for the first time. Why the coastal redwoods can stake a claim – not that they care to – to being a bona fide wonder of the natural world was borne witness the following morn when in the hallowed light of a California day I looked upon those trunks again for the first time. When I thought that was merely coincidence, i stayed again at Jedediah Smith state park and this time paid a king’s ransom to pitch up inches from the base of a young redwood. On the third morning since first laying eyes on the world’s gentle giants, crawling out of that tent I gazed again in the same resplendent light and once again craned my neck to breaking point, jaw slacked both in incredulity and paralyzed joy, only to see the mighty redwood again for the first time.