These are the days of our lives. Whether we like it or not, the clock is ticking. The long hour upon the stage will, of a fashion, one day be heard no more. So, let the tale told, ideally, not be by an idiot espousing sound and fury. Let it be told well, full of twists and turns, laughs and loves, random acts of kindness, adventures and heart-fluttering moments that lend themselves to the proud declaration: I was there.
I was recently watching colour footage of the Beatles in the studio, circa 1968, recording Hey Bulldog!. A song destined for obscurity, for me it was a much underrated number. According to Lennon, Hey Bulldog! was a nice tune that meant nothing. However, it wasn’t the melodies that stood out, nor McCartney’s catchy bass line. Rather, it was how the four lads from Liverpool – how the Beatles as a living organism – had undergone a profound physical and mental transformation in such a short space of time since they burst onto the scene in ’63. In the annals of rock music, who else aged and evolved so rapidly in relatively few years? To watch the Beatles do their seven years together was to observe a lifespan in time-lapse photography. Not only did the hair grow and the faces harden, the voices deepened and the subject matter took on ever more gravity. Theirs was an accelerated existence full of very little wasted time, a sort of Haiku poetry in motion.
Some creatures, like giant tortoises, slow down their metabolism to reach the age of Methuselah. He crawls, unchanged, through the centuries. Others, like dormice, speed up their heartbeats to live a James Dean life: short and intense. Mayflies explode onto the scene only to drop dead in the Danube before their first Earth day is out. In the human realm, things are similar. Picasso painted for over seventy years, ten times longer than the Beatles jammed. No slouch, over decades he painted thousands of canvases, admittedly. Some brush work he performed with a swish of urgency, but overall Picasso’s life mirrored the tortoise. He went for longevity, enjoying his life’s true calling all along the way. Physically, Picasso didn’t really alter appearance over time. He started small, tanned, dark-haired and Spanish-eyed, and he ended small, even more tanned, no-haired and Spanish-eyed. The Beatles, contrastingly, seemed to physically and creatively morph so fast, you could almost watch them grow up and apart. Lennon was the epitome of this. From young scallywag to long-haired gnostic, Lennon’s ageing was catalysed by a public domain obsessed with him. Like Mr Benn (for those of you old enough to remember the children’s TV show of the early 1970s) he changed his appearance in no time. As Lennon set about to change the world, the world changed him. And everyone could see him carrying carrying the weight of the world, plain as day (citation: boy, you’re gonna carry that weight, from Abbey Road.)
I employed the Beatles as an analogy to underscore the importance of using the time each of us have to reinvent ourselves: to morph; to never sit on our laurels. Your average human life is more four score and seven years than the squeeze of seven years the Beatles had to shake the world. That said, because we have no idea how long we have to live, these numbers melt away. The Beatles had seven years, but what they did in that time was the musical equivalent of the seventy years afforded Picasso. From I Want to Hold Your Hand to Eleanor Rigby in a mere three years? The difference in maturity might as well amount to forty.
I speak to so many people convinced that because life is long they can afford to sit out the game for long spells. In absentia, years vanish and little substantive gets done. A fearfulness sets in, front doors slam shut, possessions mount up, families fuse together before they sometimes shatter, leaving our clever model of market economics to dig its hooks in until ‘financial commitments’ make it all but impossible to break the chains that bind you to an immovable object that remains out of sight. Folks get stuck in a rut they can’t physically see, and their only consolation is that, ‘oh well, at least I’ve got years ahead of me to change things’.
If only we knew that the game was up much earlier than we originally thought might we take affirmative action to be the change we saw in ourselves. Maybe the Beatles knew deep down they didn’t have long (compared with their musical contemporaries) and that was the catalyst for them to live like no tomorrow (for Tomorrow Never Knows) : to pupate, to reinvent, to transmogrify, to create then recreate, and then some more. You don’t have to have penned Strawberry Fields Forever to view life as a series of peaks and troughs: of pinnacles that only the ingenious few can reach and rifts that the rest of us wallow in. If I had the power to tell another they had one more year instead of forty to thrive, what then? If others had the divine prophecy to forewarn me that my innings was a lot shorter than I otherwise thought, what then would I do to affect change? How would i fill the empty pages in this blank book of life?
(Footnote: I was moved to write this as I pondered the meaning of why the female mallard I’ve been feeding from the boat for the past three months was inexplicably taken from us (and from her drake boyfriend, in a meaningful sense) by an ambush predator, a giant pike probably. She was seen being dragged under not three weeks before she would have presented hatchlings to the Spring. What is this that the life of an animal can end so abruptly, her genetic destiny to reproduce be so cruelly thwarted, by a big nasty bottom-feeding fish, off all things? How arbitrary! How absurd! How sad! Her boyfriend was quacking like a mad thing in distress. And five days on, I still give her a thought.)